- DAVINCI RESOLVE LITE DEMO SOFTWARE
- DAVINCI RESOLVE LITE DEMO PROFESSIONAL
- DAVINCI RESOLVE LITE DEMO WINDOWS
DAVINCI RESOLVE LITE DEMO PROFESSIONAL
This free version of DaVinci Resolve 18 includes all of the same high quality 32-bit float YRGB image processing, editing features, visual effects and professional audio tools as DaVinci Resolve 18 Studio. Whether you’re an individual artist, or part of a large team, it’s easy to see why DaVinci Resolve is the standard for high end post production and finishing on more Hollywood feature films, television shows and commercials than any other software.
DAVINCI RESOLVE LITE DEMO SOFTWARE
Hollywood’s most powerful tools for professional editing, color correction, audio post and visual effects!ĭaVinci Resolve 18 is the world’s only solution that combines professional 8K editing, color correction, visual effects and audio post production all in one software tool! You can instantly move between editing, color, effects, and audio with a single click. Meanwhile, check out our entire catalog of tutorials for DaVinci Resolve here.
Now that we’ve isolated our color, any color correction we do to our image will only affect that specific color, and not anything else in our shot. Now, if you want to go in and clean up, or adjust the matte, you can use the tools in the Matte Finesse section to Add or remove shades of the color, adjust feathering, shrink, and clip (to name a few) that matte, to get the exact look that you want.
DAVINCI RESOLVE LITE DEMO WINDOWS
You’re keying the color that you want to make a color adjustment to, and if there’s more than one variation of that color in your frame, you can use Windows to isolate (garbage matte) the specific region you want to focus on. Keep in mind that this is essentially what you’re doing with Qualifiers. Once we have selected the color, it will look like nothing has happened, but if you look at the Node window, or head to the upper left corner of the Timeline Canvas, you can turn on the “Highlight” command to see only what has been “keyed” out in your image. In our case, we’re going to use the color of construction workers helmet Once there, we’re going to use the Color picker to isolate the color we want to adjust. Let’s make sure we have a shot to correct in our timeline, and then head to the Qualifier section of the Color Module. If you have different areas of a shot that are the same color, you can start to use Windows to isolate the specific color or area of the shot, to “garbage matte” the area you want to focus on. Now, keep in mind that this is where we’re going to star combining concepts that we’ve learned through this series. Secondary Color Correction is when we’re going to adjust the color in one specific color in our shot. Primary color correction deals with the fixing of colors across your entire image.
The first thing that’s important to understand is, what is secondary color correction? Think of it this way. In this lesson, I want to move on and talk about Qualifiers, and how you can use them to do secondary color correction inside of Resolve. In our last lesson, in our look at learning DaVinci Resolve, talked about working with Windows, and how you can use them to isolate parts of your shot.
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